Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Saturday, October 24, 2009

Lauren Willig - 3/2/09 Lady Jane's Salon, NYC

Author Lauren Willig reading an excerpt from her NY Times Best Seller book THE TEMPTATION OF THE NIGHT JASMINE at Lady Jane's Salon, Madame X, NYC. March 2, 2009.

Lauren told me about this video: "A valiant crowd battled their way through an unseasonable March snowstorm to attend the second ever meeting of Lady Jane's Salon, New York's first romance reading series. The other writer's plane had been delayed... and delayed... and delayed again, so I wound up having a good deal more time to fill than anticipated. I usually read from the beginning of the book, to set up the story, but this time, with extra time on my hands, and people in need of a laugh on a grim and blustery night, I picked my favorite passage from the middle of the book, in which my modern heroine's best friend attempts to classify the male sex by comparing them to various ice cream flavors. It went over very well. Of course, that might also have been the champagne everyone was drinking... including me!"







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Sunday, October 18, 2009

Tip of the Day: The Importance of Blurbs


The Importance of Blurbs
By Brenna Lyons
http://www.brennalyons.com
Click here

Why are blurbs important?

Blurbs are not just book back material. Every type of selling starts with the blurb: selling an agent on the project, selling the editor on it, selling the marketing folks on it, and finally...selling the finished product to the readers. When you hear those terrifying stories of meeting an editor in an elevator and being told, “You have two minutes to tell me about your book,” you are pitching them a blurb.

When should you write the blurbs?

At least before you start pitching the book. When the book is done, you’ll want blurbs to use in your query letters, pitches, and online (in tag lines on e-mail, on your web site, and other networking or exposure sites). Don’t make people sick of the book, but generate interest with other industry pros and readers. Don’t try to sell to readers until the book is close to being available.

What blurbs should you have handy?

At the very least...

A concept - Take two or three popular books or movies that cover the core of your project. If you had a hapless nun who solves crimes, think something like The Flying Nun meets Murder She Wrote.

Log line - A 10-12 word teaser. Yes, teaser. With that few words, all you can do is make the reader want to read more.

Blurbs - 25, 50, 150, and 250-word blurbs. Some people will ask you for more or less, but these are the most common you’ll find yourself using. With the long blurbs, you may find yourself mixing and matching pieces of them later to make new, stronger blurbs.

If you have problems finding the most essential pieces of your book to include in blurbs, try the following: Look at your outline. Talk it out and record yourself. Have a crit partner help you.

And remember...

Blurbs are like reviews. Don’t blurb past the third chapter. If you haven’t hooked someone by then, you have bigger problems than a blurb.





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Saturday, October 17, 2009

Lewis Black on Writing

Warning: Adult Language/Mature Viewers Only

LMAO! Lewis Black kills me.











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Sunday, July 19, 2009

Pulitzer Prize Winning Author Frank McCourt Dies at 78


By Dennis McLellan, Los Angeles Times
July 20, 2009

Frank McCourt, the retired New York City schoolteacher who launched his late-in-life literary career by tapping memories of his grim, poverty-stricken childhood in Ireland to write the Pulitzer Prize-winning memoir "Angela's Ashes," died Sunday of cancer. He was 78.

McCourt, who was recently treated for melanoma and then became gravely ill with meningitis, died at a hospice in New York City, his brother Malachy told the Associated Press.

McCourt, the Brooklyn-born son of Irish immigrants who returned to Ireland with the family during the Depression when he was 4 years old, had spent three decades teaching English and creative writing in the New York public school system.

At elite Stuyvesant High School in Manhattan, where he taught for many years, he had always advised his creative writing students to write about their own



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Tuesday, July 14, 2009

Rebecca Stepp Revels' Blessed


Rebecca is a longtime friend and a terrific person.

Please check out her new collection of inspirational poetry:

Blessed
by Rebecca Stepp Revels

http://www.lulu.com/preview/paperback-book/blessed/7301341
Click here



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Monday, April 6, 2009

Posthumous Crichton Novels on the Way

Posthumous Crichton Novels on the Way
By MOTOKO RICH
New York Times

Michael Crichton, the best-selling author of technological thrillers like “The Andromeda Strain” and “Jurassic Park” who died of cancer in November, left behind at least one finished novel and about one-third of a second. Both will be released over the next year and a half, his publisher said.

Read the entire story:
Click here






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Tuesday, March 24, 2009

Neil Gaiman discusses Amazon and Kindle





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Media Centers Essential for Authors on VBT (Virtual Book Tour)


Media Centers Essential for Authors on VBT (Virtual Book Tour)
By Angela Wilson

One of the most frustrating things about being a virtual book tour host for Pop Syndicate’s Book Addict blog is searching numerous Web sites for author information.

When I book authors for tour spots, I give them a brief paragraph of what we need and attach a PDF with more detailed information. Some authors read it thoroughly and follow through. Other authors are lucky to make their tour stop deadline.

When I pull together Q&As, photographs and book trailers for posts, I have to visit a variety of sites to get the information. It takes a lot of time, effort, and frustrates me when I cannot find what I'm looking for. What makes it even more infuriating is that the authors didn't bother to include that information with their completed Q&A or guest blog.

This is why every author who is serious about their work should have a media center on their Web site.

Your media center should be a one-stop shop of details about you. It should include anything anyone would need to do an interview with you, host you at their blog, write an article about you, include in reviews of your work, pass along to fans and link to from blogs and other sites.

Media centers also make it easy on you. When people ask for details about you, all you have to do is refer them to your media center.

Want to add a media center, but don’t know where to begin? Here is a quick checklist of items to get you started:

▪ Photographs of yourself in JPEG
▪ Cover art in JPEG
▪ News release archive (PDF)
▪ Guest blog appearance list (PDF or links list)
▪ Book tour and virtual book tour stops (PDF or links list)
▪ Links to your social networks
▪ Biography (include one short and one long bio) (PDF)
▪ Publicist contact information
▪ Excerpts (PDF)
▪ Downloadable audio clips
▪ Videos with EMBED codes

Your Web designer can help if you want to add this to your current site. If you don’t have a big budget, consider using a free blog like WordPress or Typepad, which allow you to add pages of information - not just blog posts.

Angela Wilson is an author, freelance author publicist and professional blogger and podcaster. She requests ARCs and manages the book blog for Pop Syndicate, where she hosts authors on virtual book tours. If you have a question about promotions, visit www.askangelawilson.com and fill out the contact form. Your question may be used on that site or in a future newsletter column.

Find Ms. Wilson at:

http://www.linkedin.com/in/angelawilson

http://www.facebook.com/people/Angela_Wilson/775118823

http://www.myspace.com/angelawilson

http://twitter.com/angelawilson




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Friday, March 20, 2009

Jane Kennedy Sutton's The Ride


The Ride
By Jane Kennedy Sutton

Recipe for Suburban Surprise:

Take one deeply depressed housewife.
Add an unexpected windfall.
Carefully fold in one very handsome, very clever charmer.
Separate and discard one totally self-centered, slightly abusive husband.
Place remaining ingredients into red-hot convertible cruising on Route 66 and see what happens!

The Ride
http://janesutton.com/
Click here
ISBN:1-59507-193-8

An interview with Ms. Sutton:






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Saturday, February 28, 2009

Award-Winning Poet Marilyn L. Taylor's Book List

Question: "What are 20 poetry books that made you fall in love with poetry, the books that made you think: I want to do this, I need to do this? What are the books that kept you going? Don’t put down the books that you think you’re 'supposed' to like, but list the core ones, the ones that opened all of this up for you."

Here’s Ms. Taylor's list (in no particular order):

Marilyn’s note: Tried desperately to stick to twenty titles; almost made it. Here they are: the books that keep me afloat:

1. Things of This World (Richard Wilbur)
2. North of Boston (Robert Frost)
3. Night Light (Donald Justice)
4. Picnic, Lightning (Billy Collins)
5. View with a Grain of Sand (Wislawa Szymborska)
6. New and Selected Things Taking Place (May Swenson)
7. Heaven and Earth: a Cosmology (Albert Goldbarth)
8. The Selected Poems of Emily Dickinson
9. One World at a Time (Ted Kooser)
10. Otherwise (Jane Kenyon)
11. Relations (Eamon Grennan)
12. Firekeeper (Pattianne Rogers)
13. Ode to the Cold War (Dick Allen)
14. The Private Life (Lisel Mueller)
15. Archaic Smile (A.E. Stallings)
16. All My Pretty Ones (Anne Sexton)
17. In Broken Country (David Wagoner)
18. The Great Fires (Jack Gilbert)
19. Where Horizons Go (Rhina Espaillat)
20. My Alexandria (Mark Doty)
21. The Lost Son (Theodore Roethke)
22. The Sonnets (William Shakespeare)



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Saturday, February 21, 2009

Advice on Writing a Book




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Guest Blog: Book Publishing 2009- Twist, Turns & Possibilities


Book Publishing 2009- Twist, Turns & Possibilities
By Cheryl Pickett
http://www.publishinganswers.com
Click here

Many writers dream of writing a book someday. In years past, the process was fairly simple. Write the book, or at least have a strong start, propose it to an agent or publisher and there was a decent chance your dream could come true. Fast forward to 2009 however, and you'll quickly discover a very different set of circumstances. The traditional publishing industry has more turns and detours than a mountain road, and there are so many other choices that even researching what to do can become mind-boggling in a matter of moments.

So what's a would-be author to do? Move forward, but take it slow and steady. Here are three tips to help you navigate that twisting road on your way to making your dreams a reality.

1. Make a Plan:
My favorite analogy for this strategy is to think of making decisions about publishing a book like taking a trip. If you want to take a trip, one of the first things you need to do is decide where you're going; if you don't know where you're going, the rest of the decisions are tough, if not impossible to make.

The same goes with deciding when are the best time and the best way to get your book into the world. Whether you're just starting to write or you have a complete project, take time out to consider key points like: Why this topic or story now? Is writing this book going to be for fun or part of a business? What do you want your book to accomplish for you?

2. Understand Your Audience:
Not that long ago, if you said you wrote a book, people would have expected to look in a bookstore if they wanted to buy it. Obviously, this is far from the case now. Besides being able to order print books everywhere from Wal-Mart to Amazon, books are now delivered in audio and digital formats. Beyond that, digital formats may be read on a computer on your desk, on your laptop or on your phone and still others are willing to carry an e-reader like a favorite novel.

Now more than ever, it is important to know what your audience wants. Once you have a good idea as to what that is, you can do your best to give it to them. When you both meet at the same place, you have a better chance at selling what you write either to a publisher or directly to your reader.

3. Understand Your Options
One of the benefits of the Internet is getting almost any information you want in a matter of a few keystrokes. It is truly an advantage compared to older research methods. However, when it comes to choosing a publishing option, a handful of quick searches will not suffice.

For example, if you type something like "publish a book" into the search engines, you'll undoubtedly find a lot of POD/fee-based publishers will top the list. To the uneducated, these companies may look the same as commercial publishers. They also often make their process very tempting; make a reasonable investment in your project and you'll have a book in no time.

If you don't realize this is not the same as being published traditionally, but traditional is what you're expecting, you're likely headed for a big disappointment. On the other hand, if you've done your homework thoroughly, you are clear on the options and you know how to filter through the information you gather, you'll find the journey to published is much smoother.

As I stated in the beginning, the publishing industry is going through a world of change right now. The good news is that even though there are new twists and turns almost daily, it is still very possible to get where you want to go. Make a roadmap, get directions as needed and enjoy the journey.

Cheryl Pickett has been a freelance writer for almost a decade. Her new book, Publishing Possibilities: 8 Steps to Understanding Your Options & Choosing the Best Path for Your Book, helps authors publish with less stress and more success. Find out more about the book and Cheryl's other services at http://www.publishinganswers.com.



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Saturday, February 14, 2009

Guest Blog: 5 Questions with Kaza Kingsley

5 Questions with Kaza Kingsley
By Maria Schneider
http://editorunleashed.com/
Click here

Kaza Kingsley has the kind of success story that writers aspire to.

The author of the Erec Rex YA fantasy series, Kingsley self-published the first two books in her series, sold 30,000 books, and recently landed an amazing eight book deal with Simon & Schuster. They’re re-releasing her first two books in paperback this April and her third book, Erec Rex: The Search for Truth, will be released by Simon & Schuster in hardcover this summer.

Here, Kingsley answers five questions and shares her advice for other authors who are interested in publishing on their own.

1. How did you learn so much about publishing your own book?

It wasn’t easy! You have to know what your limitations are before you start a big project like publishing, both with time and financially. Once you determine that, then your pathway will become more clear. Like most artistic ventures, it helps to have a good vision of the end product that you want to produce. Going with a self-publishing service may be right for you if you don’t plan on reaching out to the mass market with your product, and you don’t have a lot of time on your hands. But if you really want to plunge in all the way, the sky (and your own imagination) is the limit on what you can do!

When I originally put out the first Erec Rex book, I personally used about every piece of information that was available to me. There are some great books on publishing available at most bookstores, and they are a great place to start. Also, look online for more good and free advice! There is no “one source” that will tell you everything that you need to know. It’s a learning process, and hopefully a fun ride as well. It was for me!

2. Is it difficult to find the time to promote and tend to the business details when you’re committed to writing a book a year?

Yes! You would think that a year is more than enough time to write a book, but with all of the pre-planning that goes in as well as the actual writing time, there is not much left over for everything else. Book promotion itself can be a full time job! Each author has their own favorite ways to promote, and it’s best to concentrate on those, whether it’s more of a web presence or live interaction with readers. Unfortunately you have to prioritize because there isn’t time to do it all!

3. I know you’ve done other writing in the past—short stories, etc. Any thoughts of doing other kinds of writing now, or have you found your genre in YA fantasy?

I am always thinking of other projects that I want to do—but at the same time I love where I’m at now! Writing Erec Rex has been the most fulfilling thing I have ever done. And now that it’s receiving international recognition I’m beside myself!
What I will probably do is a small project when I’m done writing Book Four, which I am working on now. Then take time out to do school visits, fantasy conventions, and meet readers. It’s a crazy life, going from being alone in a room, writing, to really being out there. But it’s fun!

4. Do you enjoy the promotional aspects required of an author or would you rather be writing?

You know, I really do like that side of things. Not all authors do. But for me, coming face to face with readers, and hearing from them in emails and online, is one of the best rewards of writing. It’s also such a nice break for me to get out and around a lot of people after being holed away writing for so long!

5. Why did you decide to go the traditional publishing route after successfully publishing and selling more than 30,000 books on your own?

It wasn’t always the plan. As long as my books were getting out and read I was happy. But after a point I realized that they could go a lot further with a large publisher. I contacted a new agent—my agent at Writers House had left—and he sold my series in an eight book deal to Simon and Schuster. Which was really cool, and pretty unusual! I’m so happy to have ended up there. It’s a fantastic group, and it has been so much fun to have a team of people as excited about the series as I am!



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Thursday, February 12, 2009

Get Real! Publishing Myths Exposed!

Get Real! Publishing Myths Exposed!
By Penny C. Sansevieri
http://www.amarketingexpert.com/
Click here

In the years since I've been in publishing I can't even count on one hand how many myths I've heard or how many of them have been pushed on unknowing authors. Arming yourself with knowledge is always a good idea and my intention is to share what I've found to be the biggest myths in publishing. There are twelve that rise to the surface for me, you might have a few that you’ve learned the hard way. I hope that I can help dispel a few myths and, in the process, give you a few promotional tips as well.

1) If someone writes a review I don't like, can I get them to rewrite it? No, this will never happen, nor should you ask for this. Doing this will show you are a novice. If you get back a bad review try to learn from it and move on. It happens to everyone at least once, it's disheartening but unfortunately, it's part of the business.

2) Radio is all I need to sell books. Not true. For some authors radio is golden but that's few and far between. Doing a lot of radio may be great for your exposure but it may not sell books. The best type of radio are interviews that are done to promote an event or workshop, that way you can at least drive people to something, rather than hoping they'll click on your site.

3) I'm going to take my independent title and get it on Oprah. Some years back, Oprah decided to be "unique" when selecting her books and she picked a title that came from a very small publisher. Because a mention on the Oprah show can produce a high demand, the publisher could not keep up with the orders, nor did they have enough in stock or stocked in a bookstore. The result? A lot of viewers called into the show when they couldn't find the book and Oprah vowed never to feature a small press title again. The challenge here is always availability. If you have a book from a small press but it has significant bookstore placement and availability, be sure to let the producers know this when you're pitching the book. It could go a long way to helping you gain consideration for the show!

4) I'm going to get my book on the New York Times Bestseller list. Bestseller lists are funny things, many of them (like the New York Times list) are not based on sales but rather on exposure and popularity. Meaning that if your book is gaining huge popularity, it might not be selling a ton of copies but bookstores are buzzing about it. The New York Times has around thirty or so bookstores around the country that report to them on what's hot and what's not. None of this is based on sales, just on what people are asking for. But regardless of the sales quota, in order to attain this level of exposure your book needs to have a significant print run of at least 50,000 or more. This also means that there needs to be placement of the book in bookstores. Yes, there are always exceptions to this rule, we saw that recently with the success of The Shack, but if someone is promising you bestseller status, take your marketing dollars and run.

5) If I get into Amazon does that mean my distribution is handled? No, Amazon is not a distributor, they are an online portal. Distribution means that there is a distributor actively involved in selling your book into bookstores. While it's great to be listed on all the online sites, having this as your only access point could hamper your book's success. If at all possible, get someone to distribute your title. Distribution can be tricky but it's often the one missing piece to a book's success.

6) How can I prevent my review copies from being sold? Unfortunately you can't, nor should you waste your time and energy on trying to get them back. Review copies are sold, it happens all the time and spending your time chasing used copies isn't a good use of your promotional efforts.

7) When I schedule a book signing the store will do all the promotion, right? Wrong. The bookstore may do some of the promotion, but not all of it. You will handle the lion's share of promotion for your event - this includes but is not limited to: notifying the media, printing up flyers and taking them to the store (if they'll let you provide bag stuffers to notify patrons prior to the event), getting a calendar listing in your local paper(s), getting posters done with your book cover on them, printing up and inviting every single one of your local contacts.

8) Will major media outlets review my book? Possibly, it depends. There's a lot of competition out there for review space, and review space is shrinking. While aspiring to a review in the New York Times is nice, it's important to be realistic. If your book is print-on-demand, major media may be less inclined to review it. Instead, take a look at trade or local (regional) media. And if your regional media says they won't review your book, try getting them to do a story on you.

9) Your book will be judged by its cover: This means unless your grandson is Rembrandt he or she may not contribute her finger paintings to your cover design. Period. End of story. There is a rare exception to this but it's important to note that it's rare. Having a professional cover is like trying to decide whether to use hot pink paper for your resume or stock white. Unless the job you're applying for welcomes a wildly creative bent, it's likely that an off-beat approach to your resume will turn off any future employer. Your book is the same way. Your book is your resume, your book cover is your cover letter. If you want to get them to read on you'd better be careful about the first thing you put in front of them. Don't take chances with your cover. Do your research, know what sells and what doesn't, and know what will get your reader to pick up the book and what won’t.

10) All of my friends will buy my book! Your friends may not buy your book; the truth is, strangers tend to buy books faster than friends do so don't be discouraged if your pals aren't snapping up your book.

11) How many copies should I plan to give away to promote my book? As many as it takes. Don't give copies to family and friends. I know this might sound mean but fair is fair, the only people who get a free copy are Mom and Dad. Friends and family need to pony up the money and buy their own copies. The rest (promotional copies) you’ll buy and give away like candy.

12) How long will it take for me to be successful? I don't know, no one does. I wish I had the answer to that question. We've worked with authors who are rising successes after six months, and others who are still plugging away two and three years after their book came out. The key is to have passion for what you're doing. Passion and commitment will keep you going through the good times and the dark days which will most certainly happen. Passion and commitment will remind you why you're in this and why you need to stay dedicated to your work. If you're not passionately committed to what you're doing, how do you expect anyone else to be?

Penny C. Sansevieri, CEO and founder of Author Marketing Experts, Inc., is a book marketing and media relations expert whose company has developed some of the most cutting-edge book marketing campaigns.


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Wednesday, February 11, 2009

How Editors Think


How Editors Think
By Marcela Landres

"I read How Editors Think in one sitting and was engaged from beginning to end. It is well written, highly informative, and humorous—I found myself laughing out-loud in a few spots! Thanks for sharing the secrets of the trade."—Maryra Lazara Dole, author of Down to the Bone

Inspired by my experience as a former Simon & Schuster editor, How Editors Think: The Real Reason They Rejected You reveals what it really takes to get published. For more information, visit:

http://www.marcelalandres.com/E-book.html
Click here


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